Reading Lawrence Durrell's novels reminds me that, as a woman, my greatest possible achievement is to attract interesting men. Like his close friend, Henry Miller, Durrell's women tend to be superior blown-glass ornaments-- shiny, sparkly, and bloated with air. Don't misunderstand me-- I enjoy Durrell's fiction; what I don't enjoy is the limited horizons allowed his female characters. Rather than indulge the temptation to the obvious feminist critique of Durrell, further stimulated by my recent reading of Gordon Bowker's Through the Dark Labyrinth: A Biography of Lawrence Durrell, I going to leave Durrell's women in the shadows, as he would prefer, and turn my attention to his travels and landscapes.
Lawrence Durrell worshipped landscapes almost as much as he worshipped the un-ensouled female body. When the British-born Durrell was six years old, his family moved to India so his father could work on the British-Indian railroad projects. The family lived in Kurseong, on the India-Tibet border, but Durrell was sent to the Jesuit College of St. Joseph's at North Point. From his dorm window, he could see the snow-capped Himalayas and, on clear days, even Mount Everest itself. Durrell learned to rely upon majesty and wonder in his physical surroundings, so much so that he would spend his life turning and returning to the geographic Edens which inspired and satisfied his hunger for beauty.
Durrell spent a few years living in Jamshedpur, a company town planned and built by Tata Iron and Steel Company, a perfectly-calibrated "Garden City". The photo, taken in the 1950's, shows the Founder's Day Celebration thrown by the Tata Company to honor itself and the founding of the railroads and Jamshedpur. Photos of Jamshedpur in the present are available at this Tata-sponsored website for the city.
When the Durrell family moved back to Britain, Bowker suggests that the return did not please Lawrence:
England was a painful experience for the young Larry. He told Malcolm Muggeridge that being transported from the Indian jungle to a tidy suburb in East Dulwich had really staggered him-- a paralysing trauma. To have exchanged the rich pageant of exotic cultures, the dazzling scenery and sense of freedom and privilege which he had enjoyed in India for the cold, grey, gloomy London, where everyone seemed miserable, was a shock to the system.
Although Durrell's sensuality would never find a home in Britain, Durrell discovered specific places that opened the doors of his imagination. At the Southwark Cathedral, he found the brightly decorated tombs of poet John Gower and Shakespeare's actor brother, Edmund. Durrell loved to wander through the Cathedral, staring at the medieval gargoyles, coats of arms and other heraldic devices. Bowker speculates that Durrell's lifelong interest in heraldry was first stoked by his wanderings in the Southwark Cathedral.
As soon as was old enough to being exploring the Continent, Durrell started playing hooky from school, setting out on trips to Switzerland, Amsterdam, and France. "Born a foundling without roots.... his fidelity to England was more to a language than a place"... At this time, Durrell began his lifelong love affair with Paris. At Villa Seurat, Durrell formed the friendships that would develop and enrich his literary endeavors. Henry Miller and Anais Nin remained in his daily life until their deaths. Durrell remembers Villa Seurat as a place of "optimism and good cheer", where discussions would carry on through the night, meals procured at one of the many bistros around Parc Montsouris, journeys to Nin's apartment at 30 Quai de Passy, social hours with the members of the American Country Club,
Corfu, now home to the
Durrell School of Poetry, became Durrell's first true home. He would return to it at various

periods in his life when writing became difficult. En route to his first visit to Corfu, Durrell penned a few poems about seagulls in the Bay of Biscay before getting stuck in Brindsi, Italy due to an attempted coup d'etat against the Greek monarchy In Corfu. Durrell's appreciation of Italy, which he called "a country of waiters", did not extend past the legalized brothels and local vino. When the coup fears settled down, Durrell finally set foot in Corfu, where he booked into the Pensione Suisse.
Among the inspirations and treasures Durell would discover in Corfu: the
Cathedral to St. Spiridion, the island's patron saint, whose mummified remains are paraded through the town
esplanade every saint's day... The archaeological museum with ancient Greek relics...
The old fortress...
Barbati.... The Villa Agazini, which he rented...
The Yellow Villa near Kontokali ...
Pondikonisi, the famous Mouse Island which was really just a rock with a monastery perched upon it... The
remote village of Kalami, where Durrell lived as a fisherman for a year... The cove with a
fisherman's shrine to St. Arsenius... Durrell's fascination with Corfu and the local lore led to the publication of "Corfu: Island of Legends" in the March 1939 issue of
National Geographic.
Durrell was frank about the stimulating effect of travel on his writings. Before his death, Lawrence Durrell would even spend time in the Foreign Service to ensure his ability to live abroad. Durrell's travelogue, at this point, will be rendered as a mere travel-log including the places, sights, and textures which would find a place in his novels: The Anglo-Egyptian Union in
Cairo, the meeting place for writers and dilettantes +
Alexandria's tolerant, sensuous relief, the city where wine and land measurement were invented, and Muslims, Nubians, Christians, and Jews co-existed happily + Beirut + Drives with women around Lake Mareotis + The Aegean island of Rhodes, where Durrell worked as director of public relations for the Overseas Information Service + The haunted island of
Patmos, where the Church of the Apocalypse built over the cleft rock is said to hold
St. John's hand + Lost ancient cities of Lindos and Cameirus + Buenos Aires, which bored him + Cordoba + Belgrade, where he became a fierce anti-communist + Chalcidice, the area south-east of Salonika + Cyprus + The Tree of Idleness in Greek village of Bellapaix + The deserted mosque and Turkish burial ground near Bellapaix, where he befriended the Turkish
Hodja.
For more about Durrell, his writings, his travels, his family, and his friends = The International Lawrence Durrell Society + Inventions of Spring + Kenneth Rexroth essays, collected as "Lawrence Durrell", and published in various magazines from 1957-1960 + Durrell at Fantastic Fiction + "The digested classic: Justine by Lawrence Durrell", Podcast at Guardian UK + Durrell's White Eagles Over Serbia, a nonfiction work + "The Art of Fiction #23", Paris Review's interview with Durrell